Any
Japanese person who arrives at a Scandinavian airport is invariably
struck by the height of the toilet seats. For many people it is an effort
to get the soles of their shoes to touch the floor. Even if one manages
to get the better of the toilet seats, for a man the most demeaning
situation is being too short to get onefs willie up to a sufficient
height to be able to use the urinals. The further north one goes in
Europe, the taller the people are.
The average height of Norwegian male competitors in the Winter Olympics
was 179.5 centimeters. Itfs not surprising how high the toilet seats
are! Bergen, which is not far from Lillehammer, where the Olympic Games
were held, is Norwayfs second city and features a wonderful harmony
between its harbor and the natural environment. Surrounded by forests
and lakes on the outskirts of the city, one sees log houses of the type
where Grieg immersed himself in composition of Peer Gynt. In Bergen
we had the chance to see signs which seemed to typify the Norwegian
character. Neon channel lettering could be seen on department stores
and hotels, but the channels seemed extraordinarily high in respect
to the width of the letters. But there was no sense of boorishness;
on the contrary, one sensed sharpness above the stability. The mass
of the bronze seemed very much like contemporary sculpture. There was
no feeling of formal unnaturalness in the handling of the neon tubes,
which were completely at one with the letter channels. Lightness is
the byword in the Japanese sign industry at present, but we need to
learn something from the type of forms employed in Norway.
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